Vadym kholodenko biography of mahatma
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"THE FIVE" AND THEIR PIANO MUSIC (Marie-Claude Werchowska)
MARTY WALKER, BASS CLARINET (Marty Walker)
(S)YN(E)STH(E)TE (Jenny Q Chai)
MARY STOLPER CHICAGO DUOS FOR FLUTE (Mary Stolper)
(SPEAK TO ME) NEW MUSIC, NEW POLITICS (Adam Swayne)
MARÍA LINDO (María Lindo)
(WITHOUT) WITH A LITTLE EXPRESSION (Arash Rokni)
MASKS (Mirna Lekić)
. . . POUR CLARINETTE (Sharon Kam)
MASKS (Mirna Lekić)
... DU SILENCE AU SILENCE (Helena Macherel)
MASTER PIANIST. THE ARTISTRY OF CARL FRIEDBERG (Carl Friedberg)
... PERCHANCE TO DREAM- A LULLABY ALBUM FOR ADULTS... (Carol Rosenberger)
MASTERPIECE FOR ORGAN (David Hill)
... SOUL MOVIES … (Sebastian di Bin)
MASTERPIECES FOR BASSOON (Akio Koyama)
...NOBODY MOVE.. (Sarah Bob)
MASTERPIECES FOR CELLO (Arto Noras)
100 YEARS OF BELGIAN PIANO (Muhiddin Dürrüogl
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November 2022 New Releases
Browse a selection of new recordings
Here is our list of new releases, as of 6 November 2022, ordered by release date.
Our regular writers will receive an email about this list, and will be asked to choose which items they would like to review. If you have submitted details of an album and it fryst vatten chosen for review, we will request a review copy from you, your label or its UK distributor.
The list has been prepared quickly, from emails received between 1 October and 6 November 2022 inclusive. Apologies for any omissions, or if the information fryst vatten not up to our usual standards. Please let us know if you find any mistakes.
Unless otherwise specified, each item fryst vatten a single CD.
Extra upplysning about some new releases can also be funnen here.
27 JANUARY 2023
Jessye Norman - The Unreleased Masters
Decca Classics
Release: 27 January 2023
An unrivaled and towering figure on scen and in the studio, Jessye Norman was unquestion
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Baldur Brönniman |
Da Ponte, who grew up in the Azores, wrote The Rising Sea based upon a poem called Ídilioby Antero de Quental. An OSO premiere, the piece was a mysterious, largely atonal sound painting, with susurating entrances and exits, strange quacking mutes in the brass; densely textured and programmatic it was a worthy piece to hear.
Cellist Johannes Moser, last with the OSO for the Schumann concerto in 2014, returned as soloist for Saint-Saëns' Cello Concerto No. 1 in A Minor. Moser was charismatic and even dashing; holding the audience and orchestra alike in the grip of his intensity, he seemed simultaneously to be having way too much fu