Rawarontek barry prima biography
•
The Other Side of Indonesia: New Order’s Indonesian Exploitation Cinema as Cult Films
This article explores how Indonesian film industry employed subversive and exploitative techniques to struggle against a dominant order. In particular, it discusses how the Indonesian exploitation films produced beneath the New Order Regime positioned their villains and criminals as symbols of the Suharto government, and how local and international fan activity and targeted DVD transport has subsequently attained cult classification for many of these films. The films under consideration were produced and released in Indonesian cinemas during Suharto’s New Order Regime (1966-1998). During this time, nobody dared to röst their differences or kritisera the government, without fear of being silenced or ‘disappearing’. Nowadays the Indonesian people have more freedom to något som utförs snabbt exempelvis expressleverans their opinion although it may be different from, or even against, the government.[1] The stronge
•
The Other Side of Indonesia: New Order’s Indonesian Exploitation Cinema as Cult Films
Introduction
This articles explores how Indonesian film industry employed subversive and exploitative techniques to struggle against a dominant order. In particular, it discusses how the Indonesian exploitation films produced under the New Order Regime positioned their villains and criminals as symbols of the Suharto government, and how local and international fan activity and targeted DVD distribution has subsequently attained cult classification for many of these films. The films under consideration were produced and released in Indonesian cinemas during Suharto's New Order Regime . During this time nobody dared to voice their differences or criticize the government, without fear of being silenced or "disappearing." Nowadays the Indonesian people have more freedom to express their opinion although it may be different from, or even against, the government. 2 The strongest period fo
•
Jaka Sembung
1981 Indonesian film
Jaka Sembung (also titled The Warrior for international distribution) is a 1981 Indonesian fantasymartial arts film, based on a character of the same name on a comic book by Djair.
Directed by Sisworo Gautama, one of the best-known Indonesian action directors, Jaka Sembung has established its position as a classic Indonesian action movie. Main roles are played by Barry Prima (the title role), Dicky Zulkarnaen (Commander Van Schram), Eva Arnaz (Surti), and Indo actress Dana Christina (Maria van Schram).
Jaka Sembung spawned several sequels: Si Buta Lawan Jaka Sembung (The Warrior Against Blind Swordsman) (1983), Bajing Ireng dan Jaka Sembung (Jaka Sembung Dan Bergola Ijo or The Warrior vs. the Ninja) (1985), and Jaka Sembung Dan Dewi Samudra (1990).
Synopsis
[edit]The story is about local warrior-freedom fighter Parmin (nicknamed Jaka Sembung) who fights against Dutch colonial army in West Java in the 19th century